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大師作品
The Man Who Grew His Beard collects seven short stories. Though each stands alone, they are intertwined thematically, offering peeks into the minds of semi-autistic, achingly isolated men, their feverish inner worlds and how they interact and contrast with their real environment. Though Schrauwen taps ‘surrealist’ or ‘a(chǎn)bsurdist’ impulses in his work, you will not read a more careful and precise collection of stories this year. The stories included are: “Hair Types,” a hilarious piece that on the surface explores the pseudoscientific classification of personality as a function of hair but becomes something more akin to a fable about self-fulfilling prophecy; “Chromo Congo,” a silent story about two men on safari who meet a corpulent and obnoxious hunter; as well as “The Task,” “The Man Who Grew His Beard,” “The Lock,” “The Cave,” and “The Imaginist.”
《留胡子的人》收集了七篇短篇小說(shuō)。雖然每一部小說(shuō)都是獨(dú)立的，但在主題上卻交織在一起，讓人們得以窺探半自閉癥、極度孤立的男性的思想、他們狂熱的內(nèi)心世界，以及他們與現(xiàn)實(shí)環(huán)境的互動(dòng)和對(duì)比。盡管施勞恩在他的作品中使用了“超現(xiàn)實(shí)主義”或“荒誕主義”的沖動(dòng)，但今年你不會(huì)讀到比他更仔細(xì)、更精確的小說(shuō)集了。這些故事包括:《頭發(fā)類型》(Hair Types)，這是一篇搞笑的文章，表面上探討了把性格分類為頭發(fā)的功能的偽科學(xué)，但實(shí)際上更像是一個(gè)關(guān)于自我實(shí)現(xiàn)預(yù)言的寓言;《剛果人種》(Chromo Congo)是一個(gè)無(wú)聲的故事，講述了兩個(gè)在狩獵旅行中遇到一個(gè)肥胖而令人討厭的獵人的故事;以及《任務(wù)》、《留胡子的男人》、《鎖》、《洞穴》和《幻想家》。
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